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Amplifying Soundwriting Pedagogies: Integrating Sound into Rhetoric and Writing

Edited by Michael J. Faris, Courtney S. Danforth, and Kyle D. Stedman
Copy edited by Tony Magialetti. Designed by Mike Palmquist.

While sonic rhetoric is still a growing subfield of writing studies, attention to pedagogy remains an underattended but increasingly important conversation. Amplifying Soundwriting Pedagogies addresses this gap by offering a broad range of assignments to support university instructors who seek to integrate the use of digital audio into their writing and rhetoric curricula. Each of the 25 chapters in this edited collection provides a written introduction to an adaptable soundwriting activity or sequence of assignments; a transcribed audio reflection from the instructor discussing the assignment’s purpose, strengths, and weaknesses; student-oriented documents such as assignment prompts, and rubrics) that readers can adapt in their own teaching; and examples of student work (audio with transcriptions) hosted on the book’s website.

Table of Contents

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Front Matter

Foreword (and Backward), Steph Ceraso
DOI: https://doi.org/10.37514/PRA-B.2022.1688.1.2

Introduction. Why We Teach Soundwriting, Michael J. Faris, Courtney S. Danforth, and Kyle D. Stedman
DOI: https://doi.org/10.37514/PRA-B.2022.1688.1.3

Part One. Soundwriting Through Remix

Chapter 1. Mix It Up, Mash It Up: Arrangement, Audio Editing, and the Importance of Sonic Context, Logan Middleton
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.01

1. “American” by Edgar Madrigal, Donna Dimitrova, and Saul Rivera Audio | PDF
2. “Bend the Knee” by Lesley M. Rodriguez and Christian Nevarez-Camacho Audio | PDF
Reflection Audio

Chapter 2. Experimentation, Integration, Play: Developing Digital Voice Through Audio Storytelling, Crystal VanKooten
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.02

1. “Audio Story” by Audrey Downs Audio | PDF
2 .“The Empty Barn”by Paige Efting Audio | PDF
3. “Audio Story” by Mandy Olejnik Audio | PDF
Audacity Workshop (Handout) PDF
Educating Yourself on Copyright Laws and Fair Use (Handout) PDF
Reflection Audio

Chapter 3. Elements of Sound: Three Scaffolded Assignments, Sara Wilder, featuring the Work of Averi Ager, D’Arcee Neal, and Dorian Blue
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.03

1. “Prelude to a Dream” by Dorian Blue Audio | PDF
2. “The Execution” by D’Arcee Neal Audio | PDF
3. “Alien Abduction” by Averi Ager Audio | PDF
Reflection Audio

Chapter 4. The Sonic Collage Assignment: Aesthetics, Affect, and Critique in Audio Sampling, Ben Harley
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.04

1. “Trump Trap Mix” by Abby Audio | PDF
2. “Sonic Collage” by Anthony Audio | PDF
3. “Beyoncé Mess” by Logan Audio | PDF
4. “Enlgish Assignment” by Megan Audio | PDF
5. “English E.C.” by Rachel Audio | PDF
Reflection Audio

Chapter 5. Disabling Soundwriting: Sonic Rhetorics Meet Disability Pedagogy, Chad Iwertz Duffy
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.05

1. Untitled Project by Courtney Anderson Audio | PDF
2. “Welcome to OSU” by Joe Matts Audio | PDF
3. Untitled Project by Bryant Cauley Audio | PDF
4. “Virginia Woolf as an EDM Song” by Kristen Cerne Audio | PDF
5. “Dayton” by Cat Dotson Audio | PDF
6. Untitled Project by Carmen Greiner Audio | PDF
Reflection Audio

Chapter 6. SoundPlay: A Sonic Experience of Digital Loose Parts, Scott Lunsford
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.06

1. “Jump for Joy” by Jessica Maroney PDF
2. “Concrete Cloud Nine” by David Shull PDF
3. “Burnt Out” by Stan Bottcher PDF
4. “Boundaries” by Jessica Maroney, David Shull, and Stan Bottcher Audio | PDF
Reflection Audio

Chapter 7. Electrate Anti-Definition Sound Collage and Transduction, Thomas M. Geary
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.07

1. “Family” by Ryan Jamerson Audio | PDF
2. “Love” by Kyleigh Klima Audio | PDF
3. “Success” by Rachael Gauley Audio | PDF
4. “Art” by Francesa “Chris” Laverghetta Audio | PDF
5. “Accomplishment” by Cristina Babiuc Audio | PDF
6. “Happiness” by Katelyn Gable Audio | PDF
Reflection Audio

Part Two. Soundwriting with Music

Chapter 8. Cultivating Signal, Noise, and Feeling: Songwriting Practices in Digital Rhetoric Courses, Rich Shivener
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.08

1. “Untitled” by Martha Reifenberg Audio | PDF
2. “Distracted Driving in 500 Words” by Trinity Audio | PDF
Reflection Audio

Chapter 9. “How Eve Saved My Soul”: Sonic Lineage as the Prequel to the Playlist Project, Todd Craig
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.09

1. “Straight outta Compton: N.W.A.’s Influential Album” by Hamed Afastu PDF | PowerPoint
2. “Enter the Wu-Tang (36 Chambers) Review” by Alyse Ahmide PDF | PowerPoint
3. “Textual lineage of ‘Some Rap Songs,’” by Perry Stephano PDF | PowerPoint
4. “Everything is Love: A Connection to the Decades,” by Garrison Johanson PDF | PowerPoint
Reflection Audio

Chapter 10. Sampling Sound, Text, and Praxis: Student and Teacher as Producer in a (Somewhat) Open-Source Course, Justin Young
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.10

1. “Sample Assignment One: Responding to Sound & Soundwriting (A Gateway Activity)” by Anonymous PDF
2. “’Me and My Girls’—Sample Assignment Three: Analysis Essay” by Anonymous PDF
Reflection Audio

Chapter 11. Audio Engineering and Soundwriting in an Interdisciplinary Course, Doyuen Ko and Joel Overall
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.11

1. “Sample Listening Journal #4” by Rebecca Waldron PDF
2. “Excerpt from Live Nashville ‘Episode 8’” by Jackson Badgley, Benjamin Dufresne, and Shannon Harper Audio | PDF
3. “Sample Audio Reflection” by Benjamin Dufresne Audio | PDF
Reflection Audio

Chapter 12. The Resonance Is the Composer: Students Soundwriting Together, Trey Conner, Emma Hamilton, Amber Nicol, Chris Burton, Kathleen Olinger, Alyssa Harmon, and Ivan Jones
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.12

1. “Well This Is Different Than What I Expected…” Audio | PDF
2. “Thymesis” by Alyssa Harman Video | PDF
3. “Chop-n-Whine” by Chris Burton (lyrics), Amber Nicol (guitar), and Ivan Jones (guitar) PDF

4. “Refrain” by Ivan Jones Audio | PDF
Figure 1 (Gif) GIF
Reflection Audio

Chapter 13. The Sound of Type: Multimodal Aesthetics, Helen J. Burgess and Travis Harrington
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.13

Reflection by Travis Harrington Audio
Reflection by Helen J. Burgess Audio

Part Three. Soundwriting with Primary Research

Chapter 14. From Cylinders to WordPress: Using Digital Sound Archives for Short-Form Radio Programs, Jason Luther
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.14

1. “Der Graf von Luxemburg” by Craig Kober Audio | PDF
2. “The Unknown Soldier” by Dennis Bitetti Audio | PDF
3. “Bing Crosby’s ‘White Christmas’” by Paige DeMarco Audio | PDF
Reflection Audio

Chapter 15. Toward a Feminist Sonic Pedagogy: Research as Listening, Brandee Easter and Meg M. Marquardt
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.15

1. “Episode 1: The Pitch” by Abby Audio | PDF
2. “Episode 2: Traditional Research” by Abby, Carly, and Emily Audio | PDF
3. “Episode 3: Interviews” by Abby, Carly, and Emily Audio | PDF
4. “Episode 4: Observation/Testing” by Abby, Carly, and Emily Audio | PDF
5. “Episode 5: Archives” by Abby, Carly, and Emily Audio | PDF
6. “Episode 6: Deduction and Hypothesizing” by Abby, Carly, and Emily PDF
7. “The Revision” by Abby, Carly, and Emily (FINAL) Audio | PDF
Reflection Audio

Chapter 16. From Postcards to PSAs: Activist Soundwriting, Timothy R. Amidon
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.16

1. “Webcams” by Jenn, Kristy, Jaton, and Emma Audio | PDF
2. “Photos” by Anastasia, Elizabeth, Natalie, and Zihan Audio | PDF
3. “Cyberstalking” by Tim, Danny, and Kara Audio | PDF
4. “Words Are Weapons” by Lara, Hannah, and Laura Audio | PDF
Reflection Audio

Chapter 17. Research Remix: Soundwriting Studies of the English Language, Jennifer J. Buckner with Benjamin Flournoy, Katie Furr, Sarah Johnson, Katie Lewis, Angela Meade, Hannah Ray, Garrett Simpson, Kate Vriesema, and Ally Ward
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.17

1. Benjamin Flournoy’s Discourse Ethnography: Campus Resident Life Office Audio | PDF
2. Katie Furr’s Discourse Ethnography: University Wrestling Team Audio | PDF
3. Sarah Johnson’s Discourse Ethnography: Intrinsic Bible Study Audio | PDF
4. Katie Lewis’s Discourse Ethnography: Be Your Own Beautiful Cancer Support Group Audio | PDF
5. Angela Meade’s Discourse Ethnography: Theater Discourse Audio | PDF
6. Hannah Ray’s Discourse Ethnography: Professional Newsroom Audio | PDF
7. Garrett Simpson’s Discourse Ethnography: University Swim Team Audio | PDF
8. Kate Vriesema’s Discourse Ethnography: Wattpad as a Discourse Community Audio | PDF
9. Ally Ward’s Discourse Ethnography: International Equestrian Center Audio | PDF
Workshop Agendas for Student Audience PDF
Writing for the Ear Workshops PDF
Institutional Review Board (IRB) Workshops PDF
Reflection Audio

Chapter 18. If These Walls Had Ears: Applying Sound Rhetorics Through Audio Tours, Lance Cummings, Hannah Lane Kendrick, and Devon Peterson
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.18

1. “Entrance to Latimer” by Hannah Lane Kendrick Audio | PDF
2. “Creepy Latimer” by Devon Peterson Audio | PDF
3. “Character Tour” by Mike Egan, Devon Peterson, Sharryse Piggot, and Devin Wensevic Audio | PDF
4. “Restoring the Slave Quarters” by Shannon Bradburn, Hannah Lane Kendrick, Kendall C. Rogers, and Tyler L. Young Video | PDF
Reflection Audio

Chapter 19. Engaging and Amplifying Community Voices: An Interview Assignment Sequence, L. Jill Lamberton
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.19

1. “Don’t Be the One That’s the Life Sucker” by Austin Myers Audio | PDF
2. “Struck by Lightning” by Brent Poling Audio | PDF
3. “Growing Up with a Handicapped Sibling, Kids Can Be Cruel” by Zachary Kintz Audio | PDF
4. “The People Like It Here. It’s Real Mexican Food” by Noah Levi Audio | PDF
5. “We Had Some Really Great Nurses and Some Really Bad Ones” by Dylan Seikel Audio | PDF
Checklist for Humans of Montgomery County Interview Assignment PDF
Informed Consent Letter to Interviewees PDF
Thank-you Note Assignment for Humans of Montgomery County PDF
Reflection Audio

Chapter 20. The Sound(s) of Sustainable Stewardship: Composing Audio Essays with the JHFE, Janice W. Fernheimer, featuring Madison Cissell, Hannah Thompson, Hannah Newberry, and Laura Will
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.20

1. Untitled by Team Hillel: Lizzie, Mary, Bilal, Cameron, Madison, and Laura Audio | PDF
2. “The F-Word” by Team Feminism: Emma, Emilee, Ashton, Veronica, and Lindsay Audio | PDF
The Interview Protocol (PDF) PDF
Reflection Audio

Chapter 21. Producing Community Audio Tours, Mariana Grohowski
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.21

1. Sample Step 5: Observation Worksheet PDF
2. Sample Step 6: “Houghton County Veterans Memorial Park” by Mariana Grohowski Audio | PDF
3. Sample Step 7: “To Houghton County Veterans Memorial Park” Audio | PDF
Reflection Audio

Part Four. Writing with Stories

Chapter 22. Place-Based Podcasting: From Orality to Electracy in Norfolk, Virginia, Daniel P. Richards
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.22

1. “The Glass Age” by Danielle Thornhill and Star LaBranche Audio | PDF
2. “Ceremonial Norfolk: The Amazing Mace” by Kimberly Goode and Matthew Pawlowski Audio | PDF
Reflection Audio

Chapter 23. YA On the Air: A Scaffolded Podcast Assignment on YA Literature, Jasmine Lee and Jennifer Geraci
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.23

1. “Food for Thought” by Alejandra Santana, Oriana Gonzalez, Amy Vong, and Jailyn Fierro Audio | PDF
2. Healing Through Narratives by Alexis Garcia, Anika Flores, and Gabriela Martinez, Episode 1: “Voice of the Dead” Audio | PDF
Storyboards PDF | PowerPoint
Reflection Audio

Chapter 24. Let’s Get Technical: Scaffolding Form, Content, and Assessment of Audio Projects, Jennifer Ware and Ashley Hall
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.24

1. “The Sound Is My Medicine” by Anonymous Audio | PDF
2. “The Calming Method” by Anonymous Audio | PDF
Reflection Audio

Chapter 25. Speech, Invention, and Reflection: The Composing Process of Soundwriting, Tanya K. Rodrigue
DOI: https://doi.org/10.37514/PRA-B.2022.1688.2.25

1. Audio Process Note #1 (out of 9) by Carolynn Audio | PDF
2. Audio Process Note #7 (out of 9) by Carolynn Audio | PDF
3. Alphabetic Process Note #5 (out of 9) by Carolynn PDF
4. Alphabetic Process Note #8 (out of 9) by Carolynn PDF
5. “Documenting the Mundane: Reflections on Documenting and (re)Creating Aurally” by Carolynn PDF
6. “Documenting the Mundane” by Carolynn Audio | PDF
Reflection Audio

Contributors

About the Editors

Michael J. Faris is Associate Professor of Technical Communication and Rhetoric in the English department at Texas Tech University. His research areas are in digital literacies and rhetorics, queer rhetorics, and writing program administration. His work has appeared in College Composition and Communication, Kairos: A Journal of Rhetoric, Technology, and Pedagogy, Journal of Business and Technical Communication, Composition Forum, Peitho, and WPA: Writing Program Administration.

Courtney S. Danforth (she/her) teaches courses in writing and humanities, including first-year composition, creative nonfiction, poetry, and ancient literature, among other areas.

Kyle D. Stedman (he/him) is Associate Professor of English at Rockford University, where he teaches composition, rhetoric, and creative writing courses. His sonic and written work has been published in the journals Technoculture, Composition Forum, Harlot, Memoir Magazine, and Computers and Composition, as well as several edited collections. His podcasts are Plugs, Play, Pedagogy and the audio version of Bad Ideas about Writing (edited by Cheryl E. Ball and Drew M. Loewe, West Virginia University Libraries, 2017). He also co-authored the textbook Soundwriting: A Guide to Making Audio Projects with Tanya K. Rodrigue (Broadview Press, 2023).

Publication Information:

Faris, Michael J., Courtney S. Danforth, & Kyle D. Stedman (Eds.). (2022). Amplifying Soundwriting Pedagogies: Integrating Sound into Rhetoric and Writing. The WAC Clearinghouse; University Press of Colorado. https://doi.org/10.37514/PRA-B.2022.1688

Digital Publication Date:

November 22, 2022

Print Publication Date:

July 2023

ISBN: 

978-1-64215-168-8 (PDF) | 978-1-64215-169-5 (ePub) | 978-1-64642-392-7 (pbk.)

DOI: 

10.37514/PRA-B.2022.1688

Contact Information:
Michael J. Faris: michaeljfaris@gmail.com
Courtney S. Danforth: csdanforth@gmail.com
Kyle. D. Stedman: kyledstedman@gmail.com

Practices & Possibilities

Series Editors: Aimee McClure, Clarke University; Mike Palmquist, Colorado State University; Aleashia Walton, University of Cincinnati
Associate Editor: Jagadish Paudel, University of Texas at El Paso

Acrobat Reader DownloadThis book is available in whole and in part in Adobe’s Portable Document Format (PDF). It is also available in a low-cost print edition from our publishing partner, the University Press of Colorado.


Copyright © 2022 Michael J. Faris, Courtney S. Danforth, and Kyle D. Stedman, and the authors of parts of this book. This work as a whole is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 International License. Assignments in the book are released under a Creative Commons Attribution-NonCommercial 4.0 International license. 366 pages, with notes, illustrations, and bibliographies. This book is available in print from University Press of Colorado as well as from any online or brick-and-mortar bookstore. Available in digital formats for no charge on this page at the WAC Clearinghouse. You may view this book. You may print personal copies of this book. You may link to this page. You may not reproduce this book on another website. For permission requests and other questions, such as creating a translation, please contact the copyright holder.